|
Emily Newton
soprano
Bio |
Resumè
|
Calendar |
Media |
Press |
E-mail
|
Rep |
Reviews |
|
"Strongest among the singers was the Fiordiligi of Emily Newton, stinting
nothing technically, her attractive soprano leant character and scope by a light
vibrato."
David Shengold, Opera News, October 2006 (on-line edition)
Fiordiligi, Così
fan tutte - New Jersey Opera Theater
Summer Fest, July 2006
to read all reviews of the Così
fan tutte production at NJOT click
here |
|
"All
have excellent technique and the physical alacrity for operatic comedy, but
Emily Newton, with her superb voice and queenly presence, steals the show as a
stirring and heartfelt Fiordiligi."
Anita Donovan, Trenton Times
Fiordiligi, Così
fan tutte - New Jersey Opera Theater
Summer Fest, July 2006
|
|
"Ms.
Newton sang with a dramatic color reflecting her experience with the 19th
century operas of Puccini, yet handled the 18th century coloratura of Mozart
well."
Nancy Plum, Town Topics
Fiordiligi, Così
fan tutte - New Jersey Opera Theater
Summer Fest, July 2006 |
|
"Emily
Newton and Fenna Ograjensek as the sisters sing magnificently"
Stuart Duncan, TimeOff
Fiordiligi, Così
fan tutte - New Jersey Opera Theater
Summer Fest, July 2006 |
|
"Emily Newton's almost-steadfast Fiordiligi [was] appealing...[her] way with
Fiordiligi's conflicted recitatives was fiery"
Bradley Bambarger, The Star-Ledger (Newark, NJ)
Fiordiligi, Così
fan tutte - New Jersey Opera Theater
Summer Fest, July 2006
|
|
"[a] standout in the large cast...Emily Newton as
the officious Wren"
Heidi Waleson, The Wall Street Journal
Zaunschlüpfer, Die Vögel (Braunsfels) -
Spoleto Festival USA, May 2005 |
|
|
|
"The soaring soprano
of Emily Newton filled out every note she sang."
Bob Workmon, Winston-Salem Journal
Soprano soloist, Elijah - Winston-Salem
Symphony, April 2005 |
|
|
|
"As the widow and an
Angel, her beautifully even dramatic soprano voice
easily filled the hall at all dynamic levels, and
her high notes were gorgeous as well as exact."
William Thomas Walker, Classical Voice North
Carolina
Soprano soloist, Elijah - Winston-Salem
Symphony, April 2005
to read full
review click
here |
|
|
|
"The role of Antonina,
which runs the gamut of wronged motherhood, fiery
vengeance, and abject grief is a juicy one for a
dramatic soprano. This role allowed her to
explore the darker sides of a complex character.
To her evenly balanced voice has been added a rock
solid base ideal for big roles. Intonation was
precise and her high notes were glorious, whether
gently floated or soaring at full throttle to nail
home a dramatic moment."
William Thomas Walker, Classical Voice North
Carolina
Antonina, Belisario (Donizetti) - A.J.
Fletcher Opera Theater, January 2005
to read
full review click
here |
|
|
|
"Emily Newton as Donna Anna
was in fine voice and acted well ."
Elizabeth and Joe Kahn, Classical Voice North Carolina
Donna Anna, Don Giovanni
highlights concert - North Carolina Symphony, February 2005 |
|
|
|
“I have admired the full and glowing
soprano of Emily Amber Newton in several oratorio and opera roles, and those
virtues were evident in the fifth movement, where precise diction and strong
projection were joined to a soaring melodic line.”
William Thomas Walker,
Classical Voice North Carolina
Soprano soloist, Ein Deutsches Requiem - Winston-Salem Symphony, April 2004
|
|
“The full, glowing soprano of
Emily Amber Newton as the raped Donna Anna was breathtaking, and her acting was
outstanding."
William Thomas Walker, Classical Voice North Carolina
Donna Anna,
Don Giovanni - A.J. Fletcher Opera Theater, February 2002
|
|
|
|
“Her portion of the Charleston
recital ended with Ginastera's Cinco Canciones Populares Argentinas, Op.
10. These gave her a broad palette to render her wide-range mood and
characterization and to display her firm, glowing high notes and clear diction.
The final, "Gato," allowed Newton to portray a sultry seductress.”
William Thomas Walker, Classical Voice North Carolina
Spoleto
Donor Recital, June 2004 |
|
|
|
“Superb was soprano Emily Amber
Newton as the Female Chorus....this scene gave her a chance to display a full
gamut of ‘simple acting’ to use facial and body language. Newton’s arias helped
establish an atmosphere of quiet domesticity. Her gently lullaby over Lucretia
was a highlight of the evening.”
William Thomas Walker,
Classical Voice North Carolina
Female Chorus, The Rape of Lucretia - A.J.
Fletcher Opera Theater, May
2004 |
|
|
|
“Newton’s convincingly conniving
ways, particularly as demonstrated in the way she plays the simpleton,
complement strong singing."
Ken Keuffel,
Winston-Salem Journal
Rosina, La Finta Semplice - A.J.
Fletcher Opera Institute, May 2003 |
|
|
|
“Newton lit up the stage at
every entrance with her stunning presence and strong, full voice.”
Roy C. Dicks, Raleigh News and Observer
Rosina, La Finta Semplice - A.J. Fletcher
Opera Theater, May 2003 |
|
|
|
“...soloed beatifully in the final scene from Strauss’ opera Der
Rosenkavalier”
Ken Keuffel, Winston-Salem Journal
Marschallin, selections from Der Rosenkavalier -
North Carolina
Symphony, April 2002 |
|
|
|
“Newton’s 23-year-old soprano reveled
in warmth, expressive power and solid technique.”
Ken Keuffel,
Winston-Salem Journal
title role, Beatrice di Tenda - A.J.
Fletcher Opera Theater, January 2002 |
|
|
|
Bio | Resumé
|
Engagements |
Repertory |
Press |
Photos | Audio |
Contact | Links | Teaching
|
Events
Site designed and
maintained by Emily Newton, ©2007
Home
|